Here's a peek at the beast behind my productions!
The URSA 12K. This thing captures colour and resolution on a whole other level. Comparable to some of Hollywoods biggest and best cinema cameras. Nothing else compares to this beast of a camera in Australia.
A big investment, but one my clients have loved from the moment it first turned on.
Feature films to corporate videos, this thing does it all. Not many full production houses can sau that.
It's important to know what your final product will look like on multiple screens. To do that you need a colour accurate monitor set up that is able to preview what your content looks like on the web, on various mobile devices and of course computers. Or when we take it to the projection level.
At Epic Videos, my clients get peace of mind knowing their content has been edited, colour corrected and graded using the current top-end OLED panel from LG. The C1 monster. I also have dedicated monitors for the other various platforms I've mentioned. So once I dial in a look and mood, I know with complete confidence how it will be viewed on all possible screens. Not something other business think about let alone offer.
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